Modern Culture Oates seems to be pointing a finger at modern culture. Connie makes small talk with him while deciding whether or not she likes him. The opening of the story introduces the concept to which both Connie and her mother seem to subscribe—being pretty means being someone.
The darkness on the face of the deep before the creation of light before the first day of creation and total silence, not a breath neither inhalation nor exhalation. Each side is likely to draw its conclusions from biased.
But it fearlessly exposes not only an element of American society rarely seen in literature, but also the hypocrisies of those who would pass judgment on it. Connie represents the gullable Persephone, and Friend is Hades. The real life criminal Charles Schmid also played a role in the development of Arnold Friend's character.
First, the reader can discover the title of the story.
What is also interesting about the story is the title. In all of her fiction as in this story, she frequently employs a debased religious imagery to suggest the gods which modern society has substituted for conventional religion.
Mysterious castles, isolated landscapes, stormy skies, dark interiors. This median age is projected to reach 39 by the year November Family The Consolation of Grief: Oates describes how one boy, Eddie, whom Connie meets at the plaza, buys her food so that he can spend time with her and have some sort of sexual encounter.
If Arnold is indeed the devil—and he may well be, on the level so perspicaciously analyzed by Joyce Wegs—he is certainly a comical one, with his wig, incompletely made-up face, stuffed boots, and stumbling gait. Connie attempts to establish her identity by testing the boundaries her parents set for her, assuming a different persona at home than she does with her friends, and seeking validation of her attractiveness from the boys at the drive-in restaurant.
In Chicago, hundreds of anti-war demonstrators protested at the Democratic national convention; many were beaten by police. Mike Tierce and John Michael Crafton In the following essay, Tierce and Crafton seek to reinterpret previous critical characterizations of Arnold Friend as a satanic figure and instead draw parallels between him and folksinger Bob Dylan.
How often theme appears: And in the morgue the fevered body began at once to cool. A very young child laughed into his face and closed its arms around his neck and was gone in that instant.
Connie wanted to control her life or be independent however by focusing on her looks she has allowed an older man control her. Joyce Carol Oates Studies, The novel recounts this incident from a variety of perspectives—the lives of the victims and the shooter as well as the way it affects their families in the decades that follow.
As the novel progresses, Jonathan Harker comes to terms with supernatural events. Known as the Pied Piper of Tucson, Schmid befriended his victims, partying and hanging out with them, before he murdered them. Then, copy and paste the text into your bibliography or works cited list.
Connie fears she will be destroyed by Arnold, and the critics like Wegs have concentrated on the immediate level of physical death; what makes the story so rich, it seems to me, is the possibility of seeing her pending destruction as a moral phenomenon.
The result is a timely tale of two divided American families and their respective journeys through the grief of losing fathers, sons, and husbands. I'll hold you so tight you won't think you have to try to get away or pretend anything because you'll know you can't.
Retrieved September 16, from Encyclopedia. Oates draws on mythology, music, and modern culture in order to create her story. Even his eyelashes appear to be made-up, but with some tarlike material.
But then she realizes he's there to take her. She shrugs it off as a creepy guy. It is possible to be brainwashed without having a clue of how, why such complicated stratagems are being waged against you. As they approached his office building, there would be an explosion, the result of a bomb that had come in the mail.
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JOYCE CAROL OATES: WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?
Page 2 of 11 they would lean togetber to whisper and laugh secretly if. There is nothing normal about Arnold Friend, the antagonist, in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates.
Arnold is no friend to Connie, the 15 year old protagonist of the story. In the dictionary, a demon's characteristics include being short, ugly, and having horns on top of the head. The ThemeTracker below shows where, and to what degree, the theme of The Presence of Evil appears in each chapter of Where Are You Going, Where Have You Been?.
Click or tap on any chapter to read its Summary & Analysis. Where Are You Going, Where Have You Been? study guide contains a biography of Joyce Carol Oates, literature essays, quiz questions, major themes, characters, and a full summary and analysis of the short story Where are You Going, Where Have You Been.
One of the big mysteries In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?,” Is Arnold Friend the devil or not.
Arnold Friend portrays the devil in many ways.An analysis of the symbols of evil in where are you going where have you been by joyce carol oates